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EJazzITE (8)

Abstract

The main purpose of the masterclass conducted the Sara Serpa Trio at Escola Superior de Música de Lisboa in October 17th, 2019, was to discuss the creative process behind the performance of voice, cello and saxophone trio. The masterclass focused on playing a selection of original compositions with emphasis on developing musical interaction. Sara Serpa (voice), Ingrid Laubrock (saxophone) and Erik Friedlander (cello) also discussed the sources of inspiration that frame the trio compositional and improvisational processes.

Keywords: composition, voice, rhythm, harmony, melody, interaction, improvisation, jazz

segunda, 08 junho 2020 07:39

Improvisation workshop with Benny Lackner

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Abstract

The main purpose of the Masterclass held by jazz pianist Benny Lackner at Escola Superior de Música de Lisboa in October 24th, 2019, was to discuss and apply the concepts of composition, solo development, rhythmic clarity, polyrhythms, harmonic approaches, melodic lines, influences, interaction, and listening in the context of improvisation. 

The workshop focused on playing a selection of original songs and standards with emphasis on developing improvisational skills using polyrhythmic ideas, harmonic and melodic approaches that Lackner have worked on. Listening to other musicians and finding the balance between giving others enough room and having a strong presence without being overbearing was also one of the main topics of workshop. Benny Lackner also discussed his influences and showed a few examples of what has inspired him to write certain compositions.

Keywords: composition, solo development, rhythm, polyrhythm, harmony, melody, interaction, improvisation, jazz

Abstract

Este projecto de investigação artística tem como proposta a elaboração, documentação e análise de uma série de oito composições produzidas a partir do idiomatismo do violão. Foi realizada pesquisa e análise de obras de compositores violonistas que recorreram ao idiomatismo para a elaboração de suas peças, explorando as possibilidades idiomáticas do instrumento e suas possíveis relações com as técnicas de composição. Dos compositores que serviram de referência à elaboração do material original aqui produzido destacam-se Heitor Villa-Lobos, Dilermando Reis, Garoto e Guinga. Os elementos idiomáticos encontrados considerados mais significativos serviram de base para a construção das composições. O trabalho conta também com a análise das peças criadas, focando-se especialmente nos recursos idiomáticos aplicados.

Keywords: idiomatismo minstrumental, violão, guitarra, Heitor Villa-Lobos, composição, jazz

Abstract

The main purpose of the conference held by Prof. Antonio Arnedo (Universidad Nacional de Colombia) at Escola Superior de Música de Lisboa in November 11th, 2019, was to discuss and share material on the “New Colombian Music”, placing musical elements in its historical, geographical and aesthetic contexts. According to Prof. Arnerdo, there’s a route that links musical elements that are common to traditional and contemporary Colombian music. He presented examples that served to illustrate the existing two category relationship: music-region, and music-community.
Prof. Arnedo analyzed the rhythms and the melodic features of specific pieces and also contextualized the use of these elements, explaining the way rhythmic and melodic motifs were transferred and used in the compositional process. The corridor, currulao, cumbia and porro are examples of traditional elements involved in the development of new materials.

Keywords: Antonio Arnedo, jazz, Colombia, corridos, posso, cumbia, currulao, composition, improvisation

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